Exhibitions
Ancient Landscape, Modern Times: Eric Ravilious and the Artists of the Chalk Downs
The Holburne Museum, Bath
3 October – 10 January 2027
Ancient Landscape, Modern Times (3 October 2026 – 10 January 2027), an exhibition bringing together works by Eric Ravilious, William Nicholson, Paul Nash, John Nash, Tirzah Garwood, Peggy Angus and other British artists from the 1910s to the 1940s.
The exhibition has been developed by writer and curator James Russell, widely recognised as the leading authority on Eric Ravilious and his circle.
Through paintings, drawings, prints and archival material, the exhibition reveals how the stark, rolling forms of the South Downs and related chalk landscapes inspired a generation of artists seeking to reinvent landscape painting for the modern age, amidst growing political tensions and as Europe moved towards global conflict.
Across the exhibition, the chalklands emerge not simply as picturesque scenery but as places where artists negotiated questions of history, identity and belonging, revealing how ancient landscapes could speak powerfully to modern times.
Dance Out
RWA, Bristol
9 May - 9 August 2026
Dance Out (9 May 2026 - 9 August 2026) is an exhibition of paintings, drawings and film that celebrates dance as an everyday human activity, both solitary and social. The RWA itself will shape-shift during the exhibition, with the main daylit galleries hosting a series of dance and dance-related events.
Curated by David Remfry RA and art historian James Russell, ‘Dance Out’ brings together paintings, drawings and film across decades of dance culture – from 20th century London and New York to Bristol’s contemporary nightlife.
‘Dance Out’ features large-scale works by David Remfry RA, who has exhibited his dancefloor watercolours in galleries around the world, and the rarely seen ‘Blue Tent’ by Denzil Forrester, which captures the energy of 1980s Black British nightlife, alongside Carnival-inspired works by Paul Dash and John Lyons, and a premiere from contemporary artist Zoe Spowage. Short films from Tracey Emin RA and Gillian Wearing reflect on the personal and social importance of dance and nightclub culture, and other exhibiting artists include rising star Amy Dury, Paula Rego and Melanie Manchot who's RWA-commissioned film Night Moves will premiere at the exhibition.
RWA Academician Dorcas Casey has also created a new, large-scale sculptural work, hanging in the dome over the RWA landing, which references Morris dance culture and folklore.
A fully accessible, haptic Beat Blocks dancefloor, which transforms sound frequencies into powerfully felt vibrations, is installed in the RWA’s main gallery and features a curated soundtrack to the exhibition, mixed by DJ d4rling, featuring mixes by Josephine Gyasi and DJ Devolicious.
Full list of artists: Paul Dash, Amy Dury, Dame Tracey Emin DBE RA, Denzil Forrester MBE, John Lyons, Melanie Manchot, Dame Paula Rego DBE RA, David Remfry RA, Zoe Spowage and Gillian Wearing CBE RA, Dorcas Casey RWA
Tirzah Garwood: Beyond Ravilious
Dulwich Picture Gallery
Nov 24 - May 25
'Joyous, curious, inventive and droll,' Tirzah Garwood: Beyond Ravilious reviewed by Laura Cumming in The Observer
'How the Forgotten Art of Tirzah Garwood finally came to Light' Tirzah Garwood: Beyond Ravilious preview by Rachel Cooke for The Observer
I was incredibly sad to discover that Rachel died a few months after writing this piece. I didn’t know her well but I liked her very much and she understood better than anyone what I try to do in my exhibitions. I’m glad that she came along to the private view of the Garwood show and said hello.
'Varied and visionary', Tirzah Garwood: Beyond Ravilious reviewed by Florence Hallett in The i
'In from the Cold,' Tirzah Garwood: Beyond Ravilious preview by Florence Hallett for The Art Newspaper
'So much more than "Mrs Eric Ravilious"', Tirzah Garwood: Beyond Ravilious preview by Laura Freeman in The Times
Tirzah Garwood: Lost and Found, review by Sarah Hyde for Airmail
Framing Art History's Most Famous Friendships - and Fall-outs, Ruth Millington for New York Observer
Tirzah Garwood's English Satires, review by Michael Prodger for The New Statesman
The Weight of their Art: Tirzah Garwood reviewed by Lucy Scholes for The New York Review of Books
'Tirzah Garwood: unveiling a forgotten visionary', my introduction for ArtUK
Soutine / Kossoff
Hastings Contemporary
Summer 2023
Soutine | Kossoff reviewed by Jackie Wullschläger in the Financial Times
Soutine | Kossoff reviewed by Waldemar Januszczak in The Times
Soutine | Kossoff reviewed by Beth Williamson for Studio International
Impasto Masters, review by JS Marcus in The Art Newspaper
Feel the Paint, review by Anthea Gerrie in The Jewish Chronicle
Edward Bawden
Dulwich Picture Gallery
2018
"Dulwich Picture Gallery shows timeless appeal of a great artist and designer." Edward Bawden at Dulwich reviewed by Melanie McDonagh, Evening Standard, 23 May 2018
"A much-loved maker of marks," Edward Bawden at Dulwich reviewed by Alex O'Connell, The Times, 24 May 2018
"A thoroughly jolly affair," Edward Bawden at Dulwich reviewed by Martin Gayford, Spectator, 9 June 2018
"As this exhibition shows, Bawden’s watercolours – their marriage of tradition and innovation a highpoint of British modernism – are due another look." Edward Bawden at Dulwich reviewed by Florence Hallett, 1843 Magazine, 30 May 2018
"The Serious Charm of Edward Bawden," Edward Bawden at Dulwich reviewed by Jenny Uglow, New York Review of Books, 15 July 2018